Psychedelic Rock: “Meddle” by Pink Floyd (1971)

“Meddle” is one of Pink Floyd’s lesser known albums from early on in their career. Sid Barrett has just been replaced by David Gilmour, so the album represents a shift from the Barrett days to the Gilmour days. Unlike many of their albums, this one was a group effort with lyrical contributions from all members (in contrast to all lyrics being written by Roger Waters, who conceptualized albums).

On this album, the songs all have a distinct personality to them. For example, “San Tropez” has a jazzy swing to it and creates a beachy atmosphere, taking you to “a place by the sea.” “A Pillow of Winds” pervades consciousness, bringing you into a dream-like state. Trippy guitar effects produced by a whammy bar and hypnotizing vocals enhance the experience. “Seamus” is also a song with its own personality. It has a bluesy chord progression and vocal stylings; it also features live dog growling and howling (it’s actually credited with being the worst Pink Floyd song ever created). However, it does have some high points.

The opening track, “One of These Days,” has a captivating ostinato bass line, pounding bass drum, and wacky guitar effects. The song shifts from one theme to another and the manages to combine the two. The only words in the song are “one of these days I’ll cut you into little pieces!” This is actually a direct quote from the drummer, Nick Mason, which was recorded at double speed and then slowed down to a normal speed on the track, making his voice sound distorted and giant-like.

The masterpiece of the album is “Echoes,” the final 22 minute song (and the entire B-side of my dad’s vinyl copy). The song features innovative recording effects as well as impressive stylistic elements. The song takes you through waves of moods, with seemingly little effort to transition from one to another. A submarine “ping” resonates and recurs throughout the song, giving the structure a full-circle feel.

Overall, the album, though not the most popular Pink Floyd record, deserves some recognition simply because it embodies one of the ideals of psychedelic rock: music as a trip.